Even though this silent, upright, wakeful way of holding the body is wonderful and helpful in meditation, meditation itself is not ultimately limited to any particular posture. In fact, it is not even necessarily still. Meditation can also be dynamic.
Beauty just is, She was not, nor will be, Beauty is bliss, Lost in freedom for she is naturally free. Beauty is a kiss, Where you and me disappear into we.
We extend our sympathies far beyond the constraints of our time and place and individuality. Out of solitude and love, the deep bond of our sheer humanness brings us worlds.
Nepal, the fragile beauty of this moment, celebration and mourning dance of what is and what is not, and what is yet to be.
The voice is the voice of the awakened state and by singing it you grow closer to being what you fundamentally are. Herein lies a tremendous inspiration and blessing. This is the religion for our times, which transcends cultural limitations.
The vision of Shambhala is not a vision of something seen, but rather a way of seeing and perceiving and acting in the context of the phenomenal world. The Kingdom of Shambhala is an innate and spontaneous longing to realize the freedom of the awakened state within the context of our existing social life.
In this way, photography is part of my spiritual practice, not spiritual in a special way, but in a very ordinary way, just simply being with whatever is. My teacher speaks about meditation not as meditating on something but being with. I find this to be an incredibly helpful instruction.
It’s spring here in France, and flower trees have started to bloom. Spring blossoms, a perennial source of metaphor, conjure up associations with new growth. According to a well-received tradition, they might also present a parable for transmission of spiritual realization.
This was fate, for several past lives ago, the Reverend Lo had, out of sheer curiosity, played hooky from his relentless line of virtuous incarnations and had ended up as the Little Ha-to be’s long ago German husband.
Music, especially the indigenous types, contain a certain element of mysticism, in that music can be used to experience unity with the divine or a higher power. Being a practitioner of Hindustani classical music for many years, I have experienced the healing properties of this music.