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A GATEWAY TO SHAMBHALA PART I

In STORYTELLING by Douglas J. Penick

The vision of Shambhala is not a vision of something seen, but rather a way of seeing and perceiving and acting in the context of the phenomenal world. The Kingdom of Shambhala is an innate and spontaneous longing to realize the freedom of the awakened state within the context of our existing social life.

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TAKING PICTURES WITHOUT JUDGEMENT

In VISUAL ART by Kimberly Poppe

In this way, photography is part of my spiritual practice, not spiritual in a special way, but in a very ordinary way, just simply being with whatever is. My teacher speaks about meditation not as meditating on something but being with. I find this to be an incredibly helpful instruction.

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BUDDING IN BETWEEN

In VISUAL ART by Jon Solomon

It’s spring here in France, and flower trees have started to bloom. Spring blossoms, a perennial source of metaphor, conjure up associations with new growth. According to a well-received tradition, they might also present a parable for transmission of spiritual realization.

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MUSIC, MYSTICISM AND HEALING ARE INTERVOVEN

In TIMELESS MUSIC by Johan Vedel

Music, especially the indigenous types, contain a certain element of mysticism, in that music can be used to experience unity with the divine or a higher power. Being a practitioner of Hindustani classical music for many years, I have experienced the healing properties of this music.

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THE UNFATHOMABLE EVERYDAY

In FICTION by Michael Tweed

This makes me appreciate and want to emulate all the more those old brush and ink painters and poets of China, to strip the artistic act down to the most basic elements and to focus on the approach, the attention and, yes, the openness and vastness of life.

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A VISIONARY IN PERFORMING ARTS

In MYSTICAL DANCE by Tara Trinley Wangmo

Introducing Manjari Chaturvedi a visionary classic indian dancer, blending the mysticism of Sufism with the classicism of Kathak to evolve a new kind of dance, Sufi Kathak or as she calls it: The Dance of the Soul.

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A DISTORTION IN TRANSMISSION – PART ONE

In STORYTELLING by Douglas J. Penick

Douglas J. Penick’s mini-novel begins with: Little Ha was, of course, herself the incarnation of an innumerable succession of beings. She had lived as a number of low ranking deities, the most distinguished of which was a river goddess near Nanjing whose shrine was ground to powder by the Red guards.

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TASHI MANNOX – MASTER OF CALLIGRAPHY

In SPIRITUAL ARTISANS by Tara Trinley Wangmo

Art plays a very important role in the practice of transformation, not only to inspire, but to present sacred imagery for visualisation meditation. The Tibetan Buddhist tradition in particular is rich in sacred art and a means to transcend and liberate, says Tashi Mannox in this interview.